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red-lipstick:

Sophie Lécuyer (French)     Drawings/Etchings

(Source: sophielecuyer.blogspot.co.uk, via holespoles)

nycartscene:

opens tonight, Sat, June 28, 6-8p:“The Crystal Palace” Rachel Uffner Gallery, 170 Suffolk St., NYC“Named after the site of the first World’s Fair in London in 1851, and on the 50th Anniversary of the 1964 New York World’s Fair, this exhibition aims to take advantage of New York City’s cultural and neighborhood-based diversity in the cacophonous spirit of the Fair, which evolved from focusing on industrialized innovation to a thematic form of cultural exchange. In an attempt to infuse the growing contemporary art district of the Lower East Side with the historical weight of Upper East Side institutions, Rachel Uffner Gallery will exhibit artwork from the vast archives of Richard L. Feigen & Co., and additional private lenders and estates, in conjunction with contemporary artists conversing with their fore-bearers in a thoughtful manner. A cross-cultural-pollination is to be formed, spanning over neighborhoods and over time.”Artists: Balthus, Joseph Cornell, Daniel Gordon, Van Hanos, Robert Indiana, Jamian Juliano-Villani, Ray Johnson, Anya Kielar, Claes Oldenburg, Dushko Petrovich and Roger White, James Rosenquist, Pierre Roy, Peter Saul, Johannes VanDerBeek, and Stan VanDerBeek

nycartscene:

opens tonight, Sat, June 28, 6-8p:

The Crystal Palace
 
Rachel Uffner Gallery, 170 Suffolk St., NYC

“Named after the site of the first World’s Fair in London in 1851, and on the 50th Anniversary of the 1964 New York World’s Fair, this exhibition aims to take advantage of New York City’s cultural and neighborhood-based diversity in the cacophonous spirit of the Fair, which evolved from focusing on industrialized innovation to a thematic form of cultural exchange.
 
In an attempt to infuse the growing contemporary art district of the Lower East Side with the historical weight of Upper East Side institutions, Rachel Uffner Gallery will exhibit artwork from the vast archives of Richard L. Feigen & Co., and additional private lenders and estates, in conjunction with contemporary artists conversing with their fore-bearers in a thoughtful manner. A cross-cultural-pollination is to be formed, spanning over neighborhoods and over time.”

Artists: Balthus, Joseph Cornell, Daniel Gordon, Van Hanos, Robert Indiana, Jamian Juliano-Villani, Ray Johnson, Anya Kielar, Claes Oldenburg, Dushko Petrovich and Roger White, James Rosenquist, Pierre Roy, Peter Saul, Johannes VanDerBeek, and Stan VanDerBeek

presidentbear:

staring warren ellis’s “no hero”

this is long overdue

saucerkommand:

Incredibly fun art by Stuart Immonen for Warren Ellis’ NextWave. 

この生存を誰かが
 ことばで
 愛するのでなければ…
 この生存を誰かが
 銅板で
 愛するのでなければ…
 生存はつづく
 この生存の感覚に
 誰かが 正確に
 線を引くのでなければ… <ゴヤのファースト・ネームは>
…もし天人が地を離れて点に帰ったとするなら、彼らはもうあの青い空にもいないのだろうか。我々の感知することのできないところへ行ってしまったのだろうか。それともこんなに空が青く晴れわたった日には、空の青みにあらわれて、いまも眼に見えるどこかにいるのだろうか…。

岩井寛が口頭筆記で書き上げたという『森田療法』が届いたので、「まず、最終章『おわりに』から読まれたい」という松岡正剛の追悼文に従い、裏口にまわって「おわりに」を読んだ。こういう本への入り方ははじめてだ。

01
そしてふたたび最終章『おわりに』にまで読んで本文を読了した。もう一度読む『おわりに』はまた違う読み方ができて感慨深い。

(Source: y-xndere, via ranmas)

aquaticwonder:

Guy Billout

red-lipstick:

Sophie Lécuyer (French)     Drawings/Etchings

(Source: sophielecuyer.blogspot.co.uk, via holespoles)

nycartscene:

opens tonight, Sat, June 28, 6-8p:“The Crystal Palace” Rachel Uffner Gallery, 170 Suffolk St., NYC“Named after the site of the first World’s Fair in London in 1851, and on the 50th Anniversary of the 1964 New York World’s Fair, this exhibition aims to take advantage of New York City’s cultural and neighborhood-based diversity in the cacophonous spirit of the Fair, which evolved from focusing on industrialized innovation to a thematic form of cultural exchange. In an attempt to infuse the growing contemporary art district of the Lower East Side with the historical weight of Upper East Side institutions, Rachel Uffner Gallery will exhibit artwork from the vast archives of Richard L. Feigen & Co., and additional private lenders and estates, in conjunction with contemporary artists conversing with their fore-bearers in a thoughtful manner. A cross-cultural-pollination is to be formed, spanning over neighborhoods and over time.”Artists: Balthus, Joseph Cornell, Daniel Gordon, Van Hanos, Robert Indiana, Jamian Juliano-Villani, Ray Johnson, Anya Kielar, Claes Oldenburg, Dushko Petrovich and Roger White, James Rosenquist, Pierre Roy, Peter Saul, Johannes VanDerBeek, and Stan VanDerBeek

nycartscene:

opens tonight, Sat, June 28, 6-8p:

The Crystal Palace
 
Rachel Uffner Gallery, 170 Suffolk St., NYC

“Named after the site of the first World’s Fair in London in 1851, and on the 50th Anniversary of the 1964 New York World’s Fair, this exhibition aims to take advantage of New York City’s cultural and neighborhood-based diversity in the cacophonous spirit of the Fair, which evolved from focusing on industrialized innovation to a thematic form of cultural exchange.
 
In an attempt to infuse the growing contemporary art district of the Lower East Side with the historical weight of Upper East Side institutions, Rachel Uffner Gallery will exhibit artwork from the vast archives of Richard L. Feigen & Co., and additional private lenders and estates, in conjunction with contemporary artists conversing with their fore-bearers in a thoughtful manner. A cross-cultural-pollination is to be formed, spanning over neighborhoods and over time.”

Artists: Balthus, Joseph Cornell, Daniel Gordon, Van Hanos, Robert Indiana, Jamian Juliano-Villani, Ray Johnson, Anya Kielar, Claes Oldenburg, Dushko Petrovich and Roger White, James Rosenquist, Pierre Roy, Peter Saul, Johannes VanDerBeek, and Stan VanDerBeek

presidentbear:

staring warren ellis’s “no hero”

this is long overdue

saucerkommand:

Incredibly fun art by Stuart Immonen for Warren Ellis’ NextWave. 

この生存を誰かが
 ことばで
 愛するのでなければ…
 この生存を誰かが
 銅板で
 愛するのでなければ…
 生存はつづく
 この生存の感覚に
 誰かが 正確に
 線を引くのでなければ… <ゴヤのファースト・ネームは>
…もし天人が地を離れて点に帰ったとするなら、彼らはもうあの青い空にもいないのだろうか。我々の感知することのできないところへ行ってしまったのだろうか。それともこんなに空が青く晴れわたった日には、空の青みにあらわれて、いまも眼に見えるどこかにいるのだろうか…。

(Source: futami-mami, via stoner-witch)

fuckyeahwomeninpunk:

Melt Banana.

fuckyeahwomeninpunk:

Melt Banana.

(Source: burntjesus, via stoner-witch)

岩井寛が口頭筆記で書き上げたという『森田療法』が届いたので、「まず、最終章『おわりに』から読まれたい」という松岡正剛の追悼文に従い、裏口にまわって「おわりに」を読んだ。こういう本への入り方ははじめてだ。

01
そしてふたたび最終章『おわりに』にまで読んで本文を読了した。もう一度読む『おわりに』はまた違う読み方ができて感慨深い。

"この生存を誰かが
 ことばで
 愛するのでなければ…
 この生存を誰かが
 銅板で
 愛するのでなければ…
 生存はつづく
 この生存の感覚に
 誰かが 正確に
 線を引くのでなければ… <ゴヤのファースト・ネームは>"
"…もし天人が地を離れて点に帰ったとするなら、彼らはもうあの青い空にもいないのだろうか。我々の感知することのできないところへ行ってしまったのだろうか。それともこんなに空が青く晴れわたった日には、空の青みにあらわれて、いまも眼に見えるどこかにいるのだろうか…。"
"

岩井寛が口頭筆記で書き上げたという『森田療法』が届いたので、「まず、最終章『おわりに』から読まれたい」という松岡正剛の追悼文に従い、裏口にまわって「おわりに」を読んだ。こういう本への入り方ははじめてだ。

01
そしてふたたび最終章『おわりに』にまで読んで本文を読了した。もう一度読む『おわりに』はまた違う読み方ができて感慨深い。

"

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